
PLAYWRIGHT & SCREENWRITER
BIO
Nic’s literary vocation surfaced at the age of six, when he wrote and illustrated a story on index cards about a rampaging robot. He stapled the cards together and sold “Le Robot” to his mother for a tidy profit.Today, his work is known for its challenging subject matter blended with humour, twists, and deep humanism.The Elephant Song, Nic’s first play, premiered at the Stratford Festival in 2004; it has since been produced around the world and was made into a feature film in 2014. Several of his other plays, most notably Iceland and Butcher, have had major productions across Canada and internationally. Accolades include a Governor-General’s Award for Drama, a Canadian Screen Award, and a Writers Guild of Canada Screenwriting Award.Nic is a strong supporter of the serial comma and of Caryl Churchill’s adage that “Playwrights don't give answers, they ask questions.”
BIBLIOGRAPHY

PLAYS

THE NEIGHBOURS
DENISE: “How is the world so ugly and so beautiful at the same time?”
Simon and Denise reside in a modest house on a quiet street, their life blissfully low-key and unassuming. But when it comes to light that their next-door neighbour has been hiding a sinister secret, it forces the couple to re-examine the past, leading the audience to a surprising conclusion that asks hard questions about the bonds that unite us.
BUTCHER
HAMILTON: “If — if — you are who you say you are, you’d be dead.”
Who is the Butcher? At a police station a mysterious old man is found wearing a foreign military uniform and a Santa hat, with a meat hook dangling around his neck. As a lawyer, a police officer, and a translator struggle to unravel the truth, they uncover a past that won’t stay buried, and a decades-old quest for justice that must be served. Haunted by events a world away, no one is who they seem to be.
2018 Tokyo Yomiuri Awards — Best Production
2016 Ottawa Rideau Awards — Best Production
2016 Toronto Theatre Critics Award — Best Production
2015 Calgary Critics Award — Best New Play
ICELAND
KASSANDRA: “There is no meritocracy in country that sell lottery tickets.”
Set against the backdrop of the 2008 banking crisis, an Estonian master’s student turned escort, a capital-C capitalist real estate agent, and a recently-evicted devout Christian collide in an unexpected and tragic encounter.
2013 Governor-General's Literary Award for Drama — Fault Lines
2013 SummerWorks Festival — Best New Play
2013 SummerWorks Festival — Audience Choice Award
GREENLAND
JUDITH: “Maybe the one thing we have in common is that we've no idea what the other one does for a living.”
Receding ice levels off the coast of Greenland have revealed that an area thought to be part of the mainland is actually a separate island. This discovery mirrors a growing rift between the island’s discoverer and his increasingly distant family, set adrift after a catastrophic loss.
2013 Governor-General's Literary Award for Drama — Fault Lines
2011 NYC Fringe — Overall Excellence Award for Playwriting
2009 SummerWorks Festival —Outstanding Production
2009 SummerWorks Festival — Audience Choice Award

THE MEASURE OF LOVE
MABEL: “Age is the proof my life happened; but where is the warmth that is supposed to come with decades of work, friendship, love?”
Joan Sinclair receives an unexpected gift from her friend Mabel: a handwritten play and a theatre audience. The two women will re-enact their friendship from its beginning in high school to the event that led to a 40-year hiatus. But does Mabel’s depiction of the events accurately tell the story?
THE ELEPHANT SONG
DR GREENBERG: “Were you close to your mother?”
MICHAEL: “For about nine months. Then she gave birth.”
An eminent psychiatrist has vanished from his office. The last person to see him is Michael, a troubled patient obsessed with all things elephants. Dr Greenberg, the hospital director, is determined to interrogate Michael, despite the head nurse’s cryptic warnings. Michael speaks of elephants and opera — with the occasional hint of murder and foul play – and lures the hospital director into a devious trap.

ADAPTATIONS
STEVENSON'S TREASURE ISLAND
TRELAWNEY: “Gold’s not for you, Silver.”
When Jim Hawkins finds the map to a legendary treasure, he embarks on a
perilous voyage to claim it. His journey leads him to uncover a pirate
mutiny, a chance meeting with a marooned misfit, and ultimately to the
discovery of what kind of person he wants to be in the world.
Adapted from the novel Treasure Island by Robert Louis Stevenson.

AESCHYLUS' AGAMEMNON
OLD MAN: “Ah yes. Peace. The religion of tyrants.”
After a ten year siege led by Agamemnon, the city of Troy finally lies in ruin. The Greek army scatters and returns home, laden with the spoils of war. Meanwhile, Agamemnon’s wife, Clytemnestra, awaits her husband's return with murder in her heart — bitter still about the loss of her daughter Iphigenia and full of her own political ambitions. The opening chapter of Aeschylus’ Oresteia is re-imagined as a visceral, contemporary fable.
Freely adapted from Agamemnon by Aeschylus.

BRECHT & STEFLIN'S RIFLES
MRS PEREZ: “I can’t teach children who believe two times two is five.”
In the midst of the Spanish Civil War, Senora Carrar refuses to pick sides: her husband died in combat and she’s determined to keep her two sons alive and out of the conflict. But as Franco’s army marches towards their village, her resolve is challenged.
Adapted from Die Gewehre der Frau Carrar by Bertolt Brecht and Margarete Steffin.
Based on a literal translation by Nina Gerschack.

EURIPIDES' IPHIGENIA AT AULIS
AGAMEMNON: “A clever tongue is hateful in a dishonourable man’s mouth.”
The Greek army, bound for Troy, is stalled at Aulis because the winds have died down. The Gods’ price for setting sail is the life of Agamemnon’s daughter, Iphigenia, whom he calls to Aulis under the false pretense of marrying her to Achilles. Will Agamemnon sacrifice his daughter for his country?
Adapted from Ιφιγεvειœ εv Αùλíδι by Euripides.
Based on a literal translation by Roger Beck.

MOLIÈRE'S THE SICILIAN
DON PEDRO: “I would be quite happy were you not thought so beautiful, and I would be obliged if you ceased being so in the eyes of others.”
Adraste and Isidore are madly in love, but so long as Isidore’s husband watches over her like a hawk, they cannot be together. Adraste and his trusty servant pull out all the stops to free Isidore from her husband’s clutches — but will it be enough?
Freely translated and adapted from Le Sicilien by Molière.

CHEKHOV'S THREE SISTERS
VERSHININ: “Well. If they’re not going to serve us tea, then let’s philosophize.”
The Prozorovs — Olga, Masha, Irina and their brother Andrei — yearn to return to their native Moscow after more than a decade stuck in a Russian backwater. Their only friends are a handful of soldiers and officers from the local garrison, who spend their time philosophising about the meaning of life. As the Prozorovs each attempt (and fail) to find happiness through marriage, work, or love affairs, Moscow remains their last beacon of hope to finding the life they envision for themselves.
Translated from Tri Sestry by Anton Chekhov
Based on a literal translation by Yanna Meerzon

OPERA

R.U.R. (A TORRENT OF LIGHT)
Composer: Nicole Lizée | Libretto: Nicolas Billon
HELENA: “The lesson I taught you was this: Compliance and Intelligence are Incompatible.”
R.U.R., an artificial-intelligence company founded by couple Helena and Dom, dominates the software market and powers the now-ubiquitous androids that serve their human owners.As Dom becomes more focused on growing profits, Helena’s creative research leads to an unexpected technological breakthrough that pits the couples’ visions squarely against each other. They’ve reached a turning point for humanity, but is humanity ready?Inspired by Karel Čapek’s 1920’s science-fiction play Rossum’s Universal Robots — which introduced the word “robot” to the English language — R.U.R. (A Torrent of Light) asks big questions about tech innovation and ethics, and the risks we accept when we invite artificial intelligence into our lives.
2023 MCANA Awards — Best New Opera
2022 Toronto Dora Awards — 6 Awards, incl. Outstanding New Opera

TELEVISION
X COMPANY
Writer (Ep 304, “Promises”), Story Editor (Season 3)
Set in World War II, X Company is a one-hour, character-driven espionage drama that takes place in Europe and Camp X, the ultra-secret spy training facility located in Whitby, Ontario.The show was originally broadcast on CBC Television from 2015 to 2017.
Showrunners: Mark Ellis & Stephanie Morgenstern
2018 WGC Awards — TV Drama (Nomination) — X Company ep 304, “Promises”

FEATURE FILM
ELEPHANT SONG
An eminent psychiatrist has vanished from his office. The last person to see him is Michael, a troubled patient obsessed with all things elephants. Dr Green, the hospital director, is determined to interrogate Michael, despite the head nurse’s cryptic warnings. Michael speaks of elephants and opera — with the occasional hint of murder and foul play – and lures the hospital director into a devious trap.Elephant Song is the film adaptation of Nic's play of the same name.
Director: Charles Binamé
Key Cast: Bruce Greenwood, Xavier Dolan, Catherine Keener, Carrie-Anne Moss
2015 Canadian Screen Awards — Best Adapted Screenplay
2015 WGC Awards — Best Movie/Mini-Series
2015 Festival du Film Policier de Liège — Best Screenplay
2014 Toronto International Film Festival
2014 Atlantic Film Festival (Opening Night Film)
15+ worldwide film festival selections

SHORT FILMS
How Tommy Lemenchick Became a Grade 7 Legend
Ophelia recalls the events that led to her first kiss, at the age of 12, to a smelly boy with a knockout smile named Tommy Lemenchick.
Director: Bastien Alexandre
Key Cast: Charli Birdgenaw, Sam Ashe Arnold, Caroline Dhavernas
2017 Reggio Film Festival — International Jury Award
2017 Reggio Film Festival — Audience Jury Award
2017 Cannes Film Festival
2017 Tribeca Film Festival
15+ worldwide film festival selections
A KINDNESS
A bouncer observes the fallout of an argument between a couple, and then performs an unexpected act of kindness.
Director: E. Jane Thompson
Key Cast: André Sills, Amy Rutherford, Brandon McGibbon
2012 Couch Fest Film Festival — Best Drama
THE EXIT
The morning after a friend’s wedding, Peter and Samantha – living together but on a relationship hiatus – discover that each has brought home a lover.
Director: E. Jane Thompson
Key Cast: Caroline Cave, Gord Rand, Lyndie Greenwood, Colin Williams
2011 WorldFest Houston — Gold Remi (Rom Com, Short)

To get in touch directly, email me at nb [at] nbwriter.com.


For theatre and opera enquiries, please contact Colin Rivers at Marquis Literary.


For film and tv enquiries, please contact Glenn Cockburn at Meridian Artists.

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| FAVOURITE NOVELS (2000-Present) | Author | Year |
|---|---|---|
| Neuromancer | William Gibson | 1984 |
| Snow Crash | Neal Stephenson | 1992 |
| Software | Rudy Rucker | 1982 |